Faint harmonics, tiny inaudible voices rattling across some orbital link, and then a sound like the wind.
—William Gibson, Neuromancer, pp. 98
Cohen introduced us and explained that Dialta was the prime mover behind the latest Barris-Watford project, an illustrated history of what she called “American Streamlined Moderne.” Cohen called it “raygun Gothic.” Their working title was “The Airstream Futuropolis: The Tomorrow That Never Was.”
—The Gernsback Continuum W. Gibson, 1981
But then again I am somewhat the opposite of Alan Moore, in that I regard screen adaptations of my work with little more than simple childlike curiosity.
—William Gibson on the Neuromancer film
Cyberpunk author William Gibson has a cameo appearance as himself. When the author of Neuromancer is introduced as the man who invented the term “Cyberspace”, he remarks, “and they’ve never let me forget it.”
—Wild Palms Wikipedia page.
(⇒ via nytimes sunday book review)
But there are moments when—depending on what neighborhood I’m in, or what city I’m in, or what channel on television I’m watching—my eyes get really wide and I go, “Chandler wasn’t even close. This shit is truly dire.”
—–william gibson in the avclub interview
They’ve also printed a list of historical fiction recommendations from Peter Carey.
Holy Fire? Seriously, Gibson? Man. It’s not that I don’t like this book its just that I like every other Sterling novel I’ve read better than it. I guess it would be hard for Gibson not to pick the BruceS novel with characters like The Cultural Critic though, right?