Posts tagged with television

Don’t Tell Me Yackety Sax Is Actually 20BPM Slower

This Toto song just came up on my iTunes shuffle and it made me think about how crazy it is that there’s this handful of engineers who’s work has had this huge, incredibly outsized impact on how popular music sounds: Moog, Scholz, whoever wrote the Antares autotune routine, whoever put together the sample set for the Fairlight CMI (ORCH5), Roger Linn, etc. So I was looking up who designed the original Eventide Harmonizer (fair or not, Toto puts you in the mind of old Eventide hardware) and I found this on the Eventide webpage about the H910, the original Eventide pitch processor that is on old Bowie tracks, etc:

Early customers included New York City’s Channel 5 putting an H910 to work, downward pitch shifting the audio portion of “I Love Lucy” reruns that were sped up to squeeze in more commercials.

Elsewhere on the internet, it says that the idea was that if you sped up the tape, you could edit in a few more commercials, but the audio would end up being all pitched up, so you need to be able to do a pitch-without-time-change to get the dialog and such back to normal human sound. The thing is, how many people saw I Love Lucy when it was originally on? How widespread was this practice? Do we all know Lucy’s madcap pace from these sped-up reruns? Is this the comedy equivalent of a sped-up martial arts sequence? Maybe in the original, Lucy looked like a slacker when she wasn’t able to keep up with the assembly line at the bon-bon factory. How much of its manic energy comes from being replayed sped up?

He felt like a Roman emperor in the age of room service. He wanted to beat his chest Tarzan-style but, in the circumstances, there was nothing to do except turn on the TV. This was the unique freedom, the supreme indulgence of the hotel room: not the opportunities for afternoon sex, for snorting coke and licking ass, but the freedom to put the telly on at any time of day, to watch anything (basically nothing) without shame or guilt. If he spent more time in hotel rooms, he would never read another book. If the whole world lived in hotels, no one would read anything more demanding than the in-room dining menu.

Jeff in Venice, Death in Varanasi by Geoff Dyer

TV Shows I Enjoy Imagining…

…And the pages that inspired them:

  • But Mom!: Various moms from different subcultures take their middle-school aged daughters back-to-school shopping. Ideally the subcultures the mothers and daughters identify with are as different as possible, and the kids as awkwardly middle-schooly as possible, and the moms as anxious as possible, The prototype episode in my mind has a Berkeley urban farmer with a long grey ponytail agreeing to take her sparkly daughter to Sephora as long as she reads this Naomi Wolf book. During this exchange, the daughter’s eyes never leave her phone’s screen.
  • Rapemen: Shellac and Odd Future compete to make the most money on a ‘tour’ of the world They don’t have any shows booked and they never know where they are going. The producers drop them off in each city and we watch them scrambling around to see who can make the most money while they are in town by booking a show, doing in-stores, selling merch. Etc. It’s a contest. Plus there will be all sorts of challenges and punishments, like if Odd Future makes more money in a town, Albini has to personally digitally remaster the Big Black catalog. Also, under the credits, Brooklyn Vegan commenters are shot by a firing squad. That’s just a bonus.
  • Ghostface Killah Presents The 84th Academy Awards: Ghostface hosts the Oscars, just like James Franco and Anne Hathaway, only hilarious and coherent. Plus there’d be a million guest appearances. Also, there’d be a memorable sketch involving RDJ as Iron Man and Ghost as Toney Starks.

Indian Head Test Card

Indian Head Test Card

From the Wikipedia find of the day, Television Test Cards.

The graphic of the Indian and all of the patterns on the chart served specific purposes. With the chart many typical daily (sometimes hourly) adjustments on cameras, home, and studio monitors could be made. An experienced broadcast engineer could glance at the drawing of the Indian Chief and quickly know if everything was OK or if more careful adjustment was needed. Within the chart the tools necessary to adjust perspective, framing, linearity, frequency response, differential gain, contrast and white level (brightness) are all provided. The grid and circles were used for perspective, framing and linearity. The tapered lines (marked with 20, 25, 30, and 35) were used for resolution and frequency response. The thin lines marked from 525 to 325 on one side and 300 to 50 on the other side referred to lines of resolution. The gray bands emerging from the center off to the lower right and upper left were for differential gain, contrast, and white level.

Leuchtpunktordnungen (Luminant Point Arrays)

Leuchtpunktordnungen (Luminant Point Arrays)

Stephen Tillmans, Leuchtpunktordnungen

The Luminant Point Arrays show tube televisions in the moment they are swithed off. The television picture breaks down and creates a structure of light. The pictures refuse external reference and broach the issue of the difference between abstraction and concretion in photography. The breakdown of the television picture discribes the breakdown of the reference.

( via void() via mosaia)

awesome

Promo

Promo

[In 1976] I purchased 24 30-second commercial spots on two New York television channels, Channel 4 and Channel 9, and 21 spots on three Los Angeles channels, Channel 5, Channel 11 and Channel 13. My ad_ consisted of a series of names: _Leonardo da Vinci, Michelangelo, Rembrandt, Vincent van Gogh, Pablo Picasso, Chris Burden. The series was repeated twice and followed by the disclaimer © 1976 paid for by Chris Burden—artist. The names were written in bold graphics - yellow letters on a blue ground. The individual names zoomed forward, starting very small and increasing in size until they filled the entire screen. As the names became readable, I spoke them aloud. Statistics state that the first five artists named are the best known in the USA, and I convinced several station managers that my name ‘Chris Burden’ was also the name of an art business, and they agreed to sell me air time. This commercial was broadcast in Los Angeles and New York over twenty times in the normal commercial break at a peak viewing period.

Mirror School

More tunes and videos at Resonant Hole.

We eagerly solicit information and information about information which readers feel we should include, anything from practical and experimental video to comments on the current pollution of the information environment to current data on cable television legislation and use and beyond to designs for alternate computer networks and other software systems.

Radical Software Vol. I #2

The National Center for Experiments in Television

The National Center for Experiments in Television

The National Center for Experiments in Television (NCET) grew out of a project initiated at San Francisco’s public television station KQED in 1969. NCET was the most overtly experimental and process-oriented of the public television art projects of the late 1960s and early ‘70’s. Run by Brice Howard and Paul Kaufman, the center was an important locus for artists throughout the Bay Area. Most of the works produced at NCET focused on explorations of early image processing techniques.

Full article here.

List of works produced by the center here.

This is Called ‘Sending The Lede to Sleep with The Fishes’

That article about them using a Canon SLR to shoot the season finale of House included this bit from Wikipedia:

In 2008, House was distributed in a total of 66 countries. With an audience of over 81.8 million worldwide, it was the most watched television show on the globe and far surpassed the viewership figures of the leading TV dramas the previous two years (CSI and CSI: Miami).

There’s only like 6bn people on the globe, right? And that’s including feral wolf children and fuel-starved hermits living on sun tea in the Chinese desert. And yet, if aliens did some random sampling of people around Earth, they’d find that more than one in every hundred of us watches House. “The Earthlings’ religion is based on weekly silent observances of medicine-man figure called ‘Dwelling-Place’ in the local tongue. Possessing supernatural powers of observation and an ability to perform healing miracles, this god also suffers from hubris and vanity, and he is susceptible to the temptations of certain potions. Essentially, we are grading Earth’s religious development somewhere between animist and monotheistic. Not yet adequately prepared for Operation Helping Hand. Revisit in 1,000 local solar units.”

Fucking House? Are you serious? I bet this means that most people in the world who know who Hugh Laurie is think he’s American. Eighty-two million people! It is possible that more people on Earth at any given time would know the answer to “Is it lupus?” than know what lupus is. “Did you know that keeping flies from landing on both food and excrement can prevent many diseases that are frequently fatal to children? In fact, some of these diseases are among the major preventable killers of children around the globe? No? Oh well, I guess the Peace Corps will just have to try harder.” “What diseases of the spinal cord can be confused with a recurrence of leukemia? Transverse myelitis! That is correct! Oh, what? No, I’m sorry, I’m not fully caught up on season six of House.”

( via daring fireball)

First Television Picture From Space

First Television Picture From Space

The first television picture of Earth from space. This NASA image was taken on April 1, 1960 by TIROS 1.

( via NASA Goddard)

I got a call from Pynchon’s agent saying Pynchon liked the script, but he wanted a couple of changes. First you call him Tom, and no one ever calls him Tom. Second, although he likes Willy DeVille he would prefer if it were a T-shirt with Roky Erickson of the 13th Floor Elevators.

—Don Reo on getting Pynchon’s approval for the script of an episode of The John Larroquette Show

The Equalizer

The show’s distinctive theme song became a hit for composer/performer Stewart Copeland, founder and drummer of the famous pop/rock New Wave band The Police. He was an appropriate choice, as both of his parents had intelligence connections. His father, Miles Copeland, Jr. was one of the founding members of the Office of Strategic Services, the World War II predecessor of the Central Intelligence Agency, while his mother, Lorraine Copeland, worked with British military intelligence during that war.

– from the Wikipedia entry on The Equalizer

Wow! This song RULES

Also from the wikipedia page: “McCall’s main weapon was a stainless steel Walther PPK/S.” Coincidentally, this is the same weapon carried by the bartender at that bar Finn got his haircut at on Monday.

Static

Static

( via flickr via dekorte)

Still, for every performer, it’s all about expectation and exposure: two factors of an equation that must be balanced.

Ricky Jay on the shrinking performing span in the age of Youtube