Posts tagged with records

We Buy White Albums

We Buy White Albums

Rutherford Chang’s We Buy White Albums is an exhibition/record store comprised only of first pressings of The Beatles’ White Album.

From an interview with Chang:

I’ve come across some good eBay listings. For example: A2058935 was described as, “someone must have been smoking dope while drawing on the front cover both records have scratches but play ok.” Visitors to “We Buy White Albums” frequently offer their White Album stories as well. One told me that when he was a kid he would go over to his friend’s house to listen to the album. Except his friend’s copy had “Sexy Sadie” and “Happiness is a Warm Gun” scratched out because he was afraid that if his parents heard these songs they would confiscate the album.

The store is open in Soho, at 41 Grand Street until March 9th.

Orion 2000

Orion 2000

Available for order here.

An Ear to the Sounds of Our History

An Ear to the Sounds of Our History

Sharon Hayes, An Ear to the Sounds of Our History (‘68), 2011
Digital C-print

Chrissie Iles:

To label the works would make the space function much more like a “white cube.” This show isn’t a display of individual objects. The works are all very much in dialogue and can be seen collectively, especially because of the stage or platform on and in which they’re shown. We’re not against the “white cube” in an aggressive way, but we really wanted to transform the space to make dialogue possible among artworks and with viewers. Sharon’s work is very performative, so we wanted to create a performative space. Labels push it back to the “white cube.”

( via artlog)

Of course, the production and collection of albums on vinyl and the production and exhibition of film on celluloid are different things. Articles […] claiming that film will be “dead” by the year 2015—when it’s estimated only 17 percent of global movie screens will run 35mm—talk about celluloid still existing as a “niche projection format,” but the obstacles to that are severe. Pressing albums for a niche market is cheap, and record-owners can drop $20 on a copy and it’s theirs; film is a much more complicated and expensive transaction, because it costs thousands to strike a 35mm print, and there are rental fees and rights issues bound up in screening them.

—Scott Tobias, “Sweet Emulsion”

A German Shepherd

A German Shepherd

Jack Goldstein, A German Shepherd, 1976

Dear Labels and Vinyl Retailers…

I’m pleased that many independent labels have been offering digital download (MP3 or FLAC) coupons with their LPs, for those of us who like to listen to vinyl at home as well as on the go, but don’t always have a setup to rip records. More often than not, a larger independent release you purchase today comes with such a coupon.

However, I have yet to order from a label/distro that allowed you to download the digital version as soon as you purchase the albums online. Why exactly is this? I suspect that these coupons are usually handled by the pressing plant, and the label itself has little to do with the process other than deliver audio files. For instance, United is always upselling their digital download offering.

Is it too much to ask that someone like Amazon/iTunes/a third party distributor partners with labels for instant download pass generation after my credit card gets billed? This is even more painful when the labels already sell digital downloads on their site. Having instant access while the LP makes its way through the mail would be a great feature. The whole idea of ordering a record online NOW, waiting two weeks for it to arrive to retrieve a small piece of paper with some hard to type, randomly generated string that has been shoved inside a sleeve, going back to my computer, typing said code in, and then trying not to lose that small slip in case I need it down the line may be a novel concept that has only recently reached widespread adoption, but already the process feels rather archaic.

(And before one of you says it: yes, as archaic as buying records in 2009.)

More DJ’s living rooms here.