Untitled (Don’t Fuck With The Internet)
Jakob Boeskov, Untitled (Don’t Fuck With The Internet), 2012
Pastel on acid free paper, 22.25” x 28”
From Jacob Boeskov’s Weekend Futurolgy at MULHERIN + POLLARD.
Jakob Boeskov, Untitled (Don’t Fuck With The Internet), 2012
Pastel on acid free paper, 22.25” x 28”
From Jacob Boeskov’s Weekend Futurolgy at MULHERIN + POLLARD.
Telehack is a simulation of a stylized arpanet/usenet, circa 1985-1990. It is a full multi-user simulation, including 25,000 hosts and BBS’s the early net, thousands of files from the era, a collection of adventure and IF games, a working BASIC interpreter with a library of programs to run, simulated historical users, and more.
If your web application fails in browsers with scripting disabled, Jakob Nielsen’s dog will come to your house and shit on your carpet.
—Mark Pilgrim on progressive enhancement and the HTML5 History API
Also with references to the pledge, the turn and the prestige.
DI: Where does the title of The Prestige come from?
CP: I was thinking of writing a thematic sequel to my novel The Glamour (published in 1984), and thought that “prestige” had a lot of possibilities. However, when I noticed its closeness to the magicians’ word “prestidigitation” (sleight of hand) I realized it would make a perfect title for the book I was then planning. This sort of coincidence is always valuable to a novelist.
DI: But “prestige” is a word magicians have used for centuries.
CP: A lot of people think that, including contemporary magicians. In fact, its use as a magical word only goes back to 1995. I made the whole thing up. It has entered magicians’ language already.
Back in the ’90s, the proprietary browser plugin everyone hated was called RealPlayer. It was buggy and annoying and insisted on using proprietary UI widgets all over the place, but it let you do things that no other piece of software let you do: stream audio and video. I can’t find any reliable-looking stats on the penetration RealPlayer eventually achieved, but I’m pretty sure it was by the far the most widely-installed streaming audio/video player in the world years ago Now, I can’t remember the last time I used a computer with RealPlayer installed.
I hate it when people write prognostications that go “because of similarity X, what occured in situation A ten years ago will occur in situation B ten years from now,” ignoring differences Y1…Yn, and that’s not what I’m trying to say. What I’m saying is, Flash’s incredibly broad penetration is certainly no guarantee that things will never change.
Tom Arah’s piece also brings up two additional pet peeves in Flash-related journalism: it assumes Steve Jobs’ engineering argument is being made in bad faith with no evidence to support this point (Speaking for myself, I would be shocked if it was not extremely difficult to get good performance out of Flash player on current mobile devices. Its difficult to get good performance scrolling a table view on relatively recent iPhones.), and it conflates the use of Flash Player as a streaming video container with Flash Player as ‘all the other stuff Flash can do’. If you could snap your fingers and make Flash Player run perfectly on iOS devices now, leaving out the streaming video, what would you get? Remember, there’s no hovering for site navigation, there’s no keyboard for games, there’s no mouse and the closest thing we have to a click, a tap, is around 40px wide. What existing non-video Flash content becomes engaging, or even passable, in this case?
My experience running ClickToFlash leads me to believe the main thing for me is restaurant phone numbers.
This is a visualization of an HTTP image request, slowed down 40 times. You can clearly see the handshake, slow-start ramp-up and full bandwidth phases.
Created using Packet Flight.
— Youtube.com circa April 2005
Just a friendly reminder that the world-beating phenom changing the face of video entertainment, creating completely new forms of celebrity and culture, and threatening the existence of the biggest media companies started out as a shitty Hot-or-Not knockoff site with Flash videos. Weird Internet is Weird.
We eagerly solicit information and information about information which readers feel we should include, anything from practical and experimental video to comments on the current pollution of the information environment to current data on cable television legislation and use and beyond to designs for alternate computer networks and other software systems.
—Radical Software Vol. I #2
bcat is a pipe to browser utility for use at the shell and within editors like Vim or Emacs. It reads from standard input, or one or more files, and streams output to a browser window. Output is displayed progressively as it’s being read, making bcat especially useful with tools that generate output over longer periods of time.
very handy. started using this today.
John Baldessari’s In Still Life 2001-2010 is a continuation of his 2001 piece In Still Life, which invited LACMA visitors to digitally rearrange 38 objects within Abraham van Beyeren’s Banquet Still Life (1667), creating a new still life of their own.
The newly launched site expands the project’s audience and participants to anyone with a flash-enabled browser, allowing you to rearrange the banquet and share your work via Twitter, Flickr, and Facebook. Here’s the Flickr stream of still lifes. But it doesn’t stop there, there’s also an iPhone app to (re-)create on the go.
In Still Life 2001-2010 was launched in tandem with the Baldessari retrospective Pure Beauty at LACMA.
In early 1966, the Diggers were promoting a new type of philosophy and life concept in the Haight Ashbury. With media coverage of the district increasing, local resident Al Rinker visualized the need for a service providing news and information about the Hippie movement. He rented an apartment at 1830 Fell Street in early 1967, adjacent to the Panhandle of Golden Gate Park, to act as both his home and headquarters of his conceptual “Switchboard”.
Even before the internet, San Franciscans were building websites. I wonder how this worked? Basically you call somebody up, tell them what you’re looking for, and then you listen to the choices? Like craigslist-over-voice?
Social networking took a back seat to the more critical services required by the population explosion. In summary, the Switchboard was created, then made useful by events not originally considered and grew to fill those needs as well as those in its original plan.
They even had the business model figured out already.
If there was an updated version of that old game show Family Feud, and they used Google Suggest instead of a survey, and I was on the show, I would lose. ‘The knee’? ‘The alamo?’ ‘Herring?’ What the hell?
For fans of Aquarius Records and music lovers everywhere, here’s a nicer interface I whipped up for listening and reading their bi-weekly new arrivals update. It is automated, so it will always be in sync with the latest update.
And now, good god, now you guys are telling me that the revolution, the way that independant personal content is going is to the WEBLOG? It’s quick, it’s easy, but is a link to a wired news article and a snarky comment content? Is that what you want to be reading on the net? Is that what you want the future to be? Jesus man! That’s not content! That’s the patter for a radio ad!
—6985 Words about SXSW 2000 by Ben Brown
Vimium is a Chrome extension that provides keyboard based navigation and control in the spirit of the Vim editor.
See also: the previously linked Vimperator and Uzbl.
New website for Vimium is up now.
“We are proud to say that at this point, we are serving over 90% of our Web traffic using HipHop, all only six months after deployment.”
Joel/Fog Creek must be loving this.
[PBS’s Ghostwriter] features a group of New York City teenagers who solve mysteries with the help of an invisible ghost, who can communicate with the kids only by manipulating whatever text and letters he can find and using them to form words and sentences. The series was shot in [Fort Greene], Brooklyn.
“Ever read Neuromancer?”
also, that’s one sweet hacker hat she’s wearing.
“In computing, Punycode is an instance of a general encoding syntax by which a string of Unicode characters can be transformed uniquely and reversibly into a smaller, restricted character.”
Have you been reading about this a lot lately? Do you have any idea what the plan is regarding ‘these glyphs look similar!’ hacks?