The spirit photographs of William Hope

The spirit photographs of William Hope

Flickr set of the spirit photographs of William Hope shared by the National Media Museum.

The group became renowned as the “Crewe Circle” with William Hope as its leader. During their early efforts, the circle destroyed all of the negatives of the photos they took for fear of being suspected of witchcraft. However, when Archbishop Thomas Colley, a lifelong enthusiast of both the supernatural and Spiritualism, joined the circle, they began to make their work public.

Ironically, Hope’s first brush with exposure as a fraud came when Archbishop Colley arranged his first sitting. According to the story, Hope doctored the photograph with the wrong spirit extra, substituting another elderly woman for Colley’s mother.

When Hope tried to confess his fraud to Colley, the other man dismissed his confession as “nonsense”– he would recognize his mother when he saw her and the extra in the photo was certainly his mother, he stated. To prove his case, he even put a notice in the local newspaper and asked that all of those who remembered his mother should call at the rectory. No fewer than 18 people selected Hope’s mistake from among several others and said that it definitely showed the ghost of the late Mrs. Colley.

Arthur Conan Doyle was a proponent of Hope’s, and his book The Case for Spirit Photography was written in support, after a separate controversial incident involving suspected fraud.

Again and again he peoples his singular fictions with novelists and poets, both aspiring and famous, both accomplished and hopeless, both politically oblivious and committedly extremist, whether right or left. By a marvelous sleight of hand writers are omnipresent in Bolaño’s world, striding the stage as romantic heroes and feared as imperious villains, even aesthetic assassins — yet they’re also persistently marginal, slipping between the cracks of time and geography, forever reclusive, vanished, erased.

—Jonathan Lethem’s review of Roberto Bolaño’s 2666

The Girl with the Zeiss Ikon Eyes

The Girl with the Zeiss Ikon Eyes

She had a glossy brochure spread open on the table, Tally Isham smiling up from a dozen photographs, the Girl with the Zeiss Ikon Eyes.

( via xirdalium)

Where Yesterday Began

Where Yesterday Began

Edith Macefield’s tiny house, built in 1900, surrounded by development in the Ballard neighborhood in Seattle. She refused offers of $1 million to sell it to developers.

She passed away in June and left some mysteries behind, including her novel, Where Yesterday Began.

The book is 1,138 pages long, not counting the musical references, from Scottish folk songs to a 1915 work by the English composer Albert W. Ketelbey, and a 16-page glossary of the French, German and Italian phrases sprinkled throughout.

The book is dedicated to “B. Robert Aigner, M.D.,” with no explanation why. Reached by phone at his home in a Seattle suburb, Dr. Aigner, 80, said he remembered Ms. Macefield was a patient, but nothing more.

Dr. Aigner, a neurologist, was amazed and amused that Ms. Macefield would have dedicated her ambitious work to him. He had never heard of it.

the image above was removed due to the following series of emails:

Dear Modcult Ombudsman…copyright infringment

Stuart Isett to ombudsman

This is a copyrighted image you have reproduced without written permission from the copyright holder, let alone with proper accreditation or reference to original usage. Please remove immediately or I will invoice $100 a month for usage plus copyright infringement.

Image can be found at:

http://modcult.org/read/2008/12/28/edith-macefield-s-tiny-house-built-in-1900

Regards,

Stuart Isett

jeb to Stuart Isett, ombudsman

The original article *is* linked, and Modcult is published from a geosynchronous orbital platform that is not party to international intellectual property treaties. However, because we’re all swell folks, I’ve taken the image down. While I can’t speak for the rest of the team, I am personally curious as to how you arrived at the precise figure of $100 per month.

Best regards,
Modcult Ombudsman-at-Large

finn to Stuart Isett, ombudsman, jeb

Stuart – if we gave you direct attribution in the post and linked to your website would that be sufficient? Obviously, we make no money from Modcult, and it seems pretty clear from the context of the post that we aren’t claiming that we produced the image. And Ry does link to the original article on the nytimes website which contains the photo and lists you as the photographer. I’m aware of copyright law and the fact that attribution is not equivalent to permission, etc. I’d prefer to avoid getting into an argument about fair use. Mostly I’m curious as to your motivation for requesting the removal of the image. General principle? Actual monetary loss of some kind? (I’m also curious: how did you come across our tiny, low-traffic website?)

links for reference:
http://www.isett.com/#mi=2&pt=1&pi=10000&s=5&p=0&a=0&at=0
http://www.isett.com/#a=0&at=0&mi=2&pt=1&pi=10000&s=28&p=3

from Stuart Isett to finn

It’s about ownership of the images an control of MY work. You need to ask permission to reproduce images that fall outside fair use rights (which this is not, as the posting is not about the images, but about the house).

Simply ask. Sometimes photographers will say yes, sometimes no. I often I charge for using my work but do let websites use my images for free WHEN they ask first.

Sincerely,

Stuart Isett

Ecotopia

Ecotopia

An ecotopian fighter plane with tensile hang-glider wings on hydraulic “fingers,” husband-and-wife teams in the cockpit, and composite construction of titanium and bamboo with teflon-coated fiberglass wings.

One of Craig Hodgetts’ 1978 drawings for a proposed adaptation of Ecotopia.

ecotopia is a pretty awful book, but these images are fantastic.

[insert botns botanic gardens reference here.]

Untitled Image

The Vampire Squid

I love this lil’ bastard.

Pentangle Special

Great Pentangle footage from a 1972 television special of their setup and “Will the Circle be Unbroken?”. Nice that they give the roadies equal billing with the band.

“Wedding Song” from this performance is great too.

Simplicity is the key to successful living

Simplicity is the key to successful living

PDF available here.

( via janelle)

Untitled Post

A few years ago, I was bringing a racing boat back to England after Antigua Sailing week and we made a pit stop in Horta, in the Azores Islands, after 12 dry days at sea. There was a gale building behind, a full moon overhead, the deck and rigging were streaked with phosphorescence, and I turned off the instrument lights and drove by feel, with dolphins as outriders making luminous trails through the swells. You can smell land long before you see it. It smells like newly-mown hay, makes you think of all the things you’ve missed at sea — high on that list, for me, was sex and hooch — and Horta has one of the best bars in the world, Peter’s Cafe Sport.

I know I been real down on the New York Times Company lately, but I’ve enjoyed this Proof blog, particularly yesterday’s entry.

AMNH

AMNH

Love this photo from Joseph O. Holmes.

all this document archaeology means that in the future, kids will associate typewriter fonts with nefarious doings.

Untitled Image

About a year ago, I bookmarked this fragment of Old Avestan script. It was part of a lost blog post that had to do with Old Avestan in some way; maybe it was about zoroastrianism and its relationship to christianity, maybe it was about modern Parsis in India, maybe it was about how the whole “nation-states” community can’t really get down with Persia. I don’t know, the ideas, like the speakers of Old Avestan, are lost.

a poignant mirroring of form and content.

cf bruce sterling’s “dinner in audoghast.”

Untitled Image

Jobs in New York, late 70s or early 80s. Rumor is he caught a sweet Theoretical Girls show after this.

Red” Murray

"Red" Murray

John “Red” Murray, 1911.

( via flickr commons)