In one segment of the film a small frightened senorita walks beyond the edge of the border town and then back again, while her feelings and imagination keep shifting with the camera into the sagebrush, the darkness of an arroyo, crackling pebbles underfoot, and so on until you see her thick dark blood oozing under the front door of her house. All the psychological effects– fear and so on –were transferred to within the non-human components of the picture as the girl waited for some non-corporeal manifestation of nature, culture, or history to gobble her up.
But then again I am somewhat the opposite of Alan Moore, in that I regard screen adaptations of my work with little more than simple childlike curiosity.
Ray Fenwick’s Illustrated Guide to a Life of Mystery.
Tiny Showcase Presents the first in a new series of mildly factual, mostly fictitious, educational posters.
Is it necessary for me to point out that in the detail views all the little phrases in the background (the witchmaster’s key, the melted coins, devil’s paw, missing chums) are Hardy Boys titles?
are you trying to make me look bad?
ok, that actually looks pretty cool but I don’t think I could stare at it all day.
related: 3D Glasses scheme.