%s1 / %s2

As a reminder, there’s a nicer interface for listening to the last twenty songs on Modcult over here.

TV-Size Paintings

TV-Size Paintings

David Reed, TV-Size Paintings, 2006-2009
Oil and alkyd on polyester, 26 x 50 inches

Pictured above from top to bottom: #599, #596, #569, #551.

I believe that a publisher’s imprint means something, and that if readers paid more attention to the publisher of the books they buy, their chances of being disappointed would be infinitely less.

I believe that good books should be well made, and I try to give every book I publish a format that is distinctive and attractive.

Alfred A Knopf, 1957

And now, good god, now you guys are telling me that the revolution, the way that independant personal content is going is to the WEBLOG? It’s quick, it’s easy, but is a link to a wired news article and a snarky comment content? Is that what you want to be reading on the net? Is that what you want the future to be? Jesus man! That’s not content! That’s the patter for a radio ad!

6985 Words about SXSW 2000 by Ben Brown

Miguel Vidal

Miguel Vidal

Miguel Vidal, Untitled, 1969
Plotter print, 485 x 308 mm

Diamonds in the Mine

Diamonds in the Mine

( via annoushka)

Floating Japanese Oof! Gardens of the 21st Century

Floating Japanese Oof!  Gardens of the 21st Century

This 3LP / 2CDR was the duo’s crowning moment. It sounds exactly like it looks.

%s1 / %s2

Recently reissued on No Smoke.

Pitiful Object

Pitiful Object

Kiyoji Otsuji, Pitiful Object, 1949
Gelatin silver print, 35.3 x 27.6 cm

Hideko Fukushima

Hideko Fukushima

Hideko Fukushima, Untitled, 1955
Ink, acrylic on paper, 33.3 x 30.6 cm

Atman

Toshio Matsumoto, Atman, 1975

Here’s part two.

UbuWeb has a large collection of his films.

Computer Technique Group

Computer Technique Group

To round out the CTG posts for the day, here’s a photograph of the group from the catalog to the Cybernetic Serendipity exhibition. Left to right: Koji Fujino, Masao Kohmura, Kunio Yamanaka, Haruki Tsuchiya, Makoto Ohtake.